Wednesday, 18 September 2013

Arctic Monkeys - AM

Arctic Monkeys broke radio history when their fifth studio album, following the pattern of the previous four, went straight to No 1 on the UK album charts, making them the first band to have all albums reach No 1 immediately. I think this must say something about the album itself. It does. It's fucking brilliant.

Source: Allmusic
The band have undergone a rather dramatic change of style over their 11 year career. They've gone from mod-y punk to QOTSA-esque dark, heavy rock, to this. An apparently hip hop-influenced album with an essence of seventies rock around it, AM wears its influences very obviously on its sleeve. It's all the better for it, it means you can trace the development of Arctic Monkeys, and even get inside their head by guessing what they were listening to whilst writing the album. At least that's how I imagine it.

Some of the songs are so different that it's hard to see how they fit onto the same album. For example, Mad Sounds has a very Lou Reed-esque sound to it, as though Alex Turner has listened to the entirety of Transformer and just summed it up in a singular song. It's about songs that make you love music, and it achieves exactly what it describes; it's not particularly technically difficult in any way, but the sheer brilliant timing of "then out of nowhere, somebody comes and hits you with an ooh la la la..." It could not describe any more perfectly the ability of certain songs to comfort you or cheer you up when you most need it. You can just picture Turner sitting in the corner of a room with some headphones on, listening to his favourite songs and having the time of his life. We've all been there, Alex.

The album contains some brilliant singles. I don't think I could forgive myself if I wrote a review of AM and didn't mention Do I Wanna Know? as it would be a heinous crime indeed. Fuelled by a riff penned by Jamie Cook, the song feels as though it could go on forever, and as a listener, it's all you want it to do. Suffice to say, it's a little bit bloody brilliant. Why'd You Only Call Me When You're High? has pretty much every female up and down the country screaming "YOU CAN CALL ME ANYTIME ALEX". Notice I'm not excepting myself in this description. R U Mine? pretty much has the same effect; it's very similar to Do I Wanna Know? in it's driven by a brilliant riff, but eases off into a relatively chilled chorus. Snap Out Of It is your typical rock single that has an amazing beat, a catchy chorus, and a great melody. If you haven't pretended that Mr Turner isn't singing this to or about you, then you're lying.

Source: Allmusic
That said, the softer side of Arctic Monkeys peeks through on occasion. No. 1 Party Anthem slightly draws on the figure portrayed in You Probably Couldn't See For The Lights... - the "certified mind blower" to whom you can't quite muster up the courage to speak. Apparently it's based on a real person (ooh, cheeky Alex) and the genuine emotions are brought to the forefront in this song; it's not written about a caricature or a stereotype, it's based on a real experience, allowing the song to reach a different level of emotional intelligence. I Wanna Be Yours has lyrics taken from a John Cooper Clarke song, written in around 1983. The extreme British banality of the lyrics (for example, "I wanna be your vacuum cleaner... I wanna be your leccy meter") only make it all the more romantic; the translation from the commonplace to the tender is given by the next line, detailing what Clarke would be able to do for the object of these desires. "I wanna be your setting lotion, hold your hair in deep devotion, at least as deep as the Pacific ocean" suddenly becomes poetry, because it perfectly describes every girl's dream without the need for poetic language.

There are some typical Turner lyrical gems in there, as well, showing he hasn't lost his flair in the slightest. Arabella: "I helter skelter round her little finger and I ride it endlessly". Do I Wanna Know?: "I've been wondering if you're heart's still open and if so I want to know what time it shuts". One For The Road: "from the bottom of your heart, a relegation zone". I could go on for a very long time. Like somebody once said of David Bowie, Turner writes the cosmos in the bus stop.

I don't quite know how to finish this. It's amazing and I love it. Perhaps I ought to leave it there, because I could go on for an inhuman amount of time about this album. It's a fucking good 'un.

Rating: 10/10 (note: if you're an Arctics purist, you will most definitely disagree with this)

Recommended Tracks:
Mad Sounds
Arabella
Do I Wanna Know?


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