Photo: Allmusic |
With beats and synth reminiscent of Jungle, Oh Wonder pose a similarly difficult-to-pigeon-hole conundrum. The duo also employ the same tactic of double-tracking their vocals, both singing simultaneously. However, the contrast in timbre between the male and female voices allows far more room for experimentation, and they use this to their advantage. It stands out particularly well in simpler tracks like All We Do, adding variety and interest to an otherwise simply produced track.
Oh Wonder possess the handy knack of knowing how much is too much, and when to ease off. In Lose It, the introductory piano becomes the foundation on which they build the rest of the track, with layers drifting in and out as necessary; drums are built up and reduced throughout, synth becomes an ornament rather than a necessary part of the track, and the sparse bridge is the perfect lead-up to the chorus. It's everything a pop song needs to be: catchy, restrained and then loose in all the right places.
The lyrical content of the album is beautifully optimistic; take Landslide, for example. Once you brush aside the immediate Fleetwood Mac associations, you realise it's a rather lovely song of encouragement. Lyrics like 'I know your hope is heavy/But you'll get over it/You'll find another life to live' are supported and carried perfectly by the instrumental parts. The beat of Midnight Moon picks you up and takes you with it; the opening lyrics 'You with the wide eyes, don't lose your courage', along with the repeated last word, might be rather generic, but the crafting of the lyrics around the beat refreshes the old technique and draws you in.
To sum up Oh Wonder in three words: simplistic, minimalistic, and actually rather sweet. Oh Wonder definitely isn't a misnomer. If anything, it's an invitation.
Rating: 7/10
Recommended tracks:
Livewire
Without You
Technicolour Beat
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